Peter A. Bradley has led an enviable life as a successful artist and curator and was at the forefront of the contemporary abstract painter’s movement in the early 1970s. For the past few decades, Bradley has resided in Saugerties where he continues to create new work. For the month of June, Emerge Gallery in Saugerties has mounted a one-person exhibit of Peter Bradley’s paintings.
As a young man in the 1970s, Bradley developed his contemporary painting style. His work began to be known in what art critic Clement Greenburg called “color field” painting. Other painters using this style included Kenneth Noland, Mark Rothko, and Barnett Newman. As Bradley continued to work as a painter during this time, he made connections while supporting himself through work as a gallery salesperson, handling such artists as Picasso and Calder. These contacts led to Bradley being invited to exhibit his work at The Whitney Museum in the “Contemporary Black Artists of America” show. Bradley wanted his work to be considered with other contemporary artists and not simply as a black artist and declined to show. The criticism among the black community was that there was little black participation in organizing the Whitney exhibit and in response, the Menil Foundation planned to fund an exhibit that would place black artists and curators at the center of organizing an exhibit of contemporary art. Bradley was invited by the Menil Foundation to curate “The DeLuxe Show” in Houston, which he organized integrating some of the most well-known contemporary artists in 1971 with no regards to race. This was a turning point for black artists that began to change the dialogue about which artists get representation. In today’s contemporary art world, black artists have been recognized for their contributions to American culture and their work is now featured more frequently in group exhibits and increasingly in one-person shows.
Bradley continued to work through the decades and his work is held in the permanent collections of museums across the United States including The Metropolitan Museum of Art, The Museum of Modern Art, The Museum of Fine Art in Houston, The New York City Museum of Art, African American Museum in Dallas, The Fogg Museum at Harvard University, and Johannesburg Art Foundation in South Africa.
The exhibit at Emerge Gallery shows Bradley’s recent work that fills the gallery space with their explosive energy. The painting “We Should be Heroes” is a large abstract work that celebrates the relationship of colors to each other. Bradley is a master at the placement of colors and textures that creates a space that brings to mind a topographical map. “Not Quite Here” is another painting with surfaces reminiscent of the earth. The shock of the brilliant spring green at the top of the painting contrasts with the charcoal lava-like color and textures in the body of the artwork.
The exhibit in its entirety is a rare opportunity to appreciate one of the Mid-Hudson region’s internationally-known local artists that have produced a lifetime of important work.
This essay was originally published by the Poughkeepsie Journal Enjoy! magazine – May 31, 2019.
More information on Peter A. Bradley:
Peter Bradley was prominently featured in the New York Times article “Why Have There Been No Great Black Art Dealers?” by © Janella Zara (June 20, 2018)
https://www.nytimes.com/2018/06/20/t-magazine/black-art-dealers.html
Peter Bradley was prominently featured in the Hyperallergic article “How Black Modern Artists Defied a Singular Narrative in 1971” by © Jessica Bell Brown (January 17, 2017)
https://hyperallergic.com/352161/how-black-modern-artists-defied-a-singular-narrative-in-1971/
An Interview with Peter Bradley from © BOMB Magazine (January 17, 2017)
https://bombmagazine.org/articles/peter-bradley-1/
Additional info on The DeLuxe Show: https://tshaonline.org/handbook/online/articles/kld03?fbclid=IwAR1pRcIbCKayXGSdS1cfLtOjqMT01Sm_oMz9Ywz3yd7E5k10nEY8bv6ieLk
Peter A. Bradley, New Work on exhibit at Emerge Gallery, June 1 – 30, 2019
Emerge Gallery is located at 228 Main Street, Saugerties; (845) 247-7515
Hours: Friday, Saturday: 12:00 – 6:00 p.m., Sunday: 12:00 – 5:00 p.m.
https://www.facebook.com/EmergeGalleryNY/
Instagram: https://www.instagram.com/emergegalleryny/
El Día de los Muertos is recognized across the entire community with altars to remember those passed, not only in homes but in stores, local plazas and community centers. The altars are creative and personal: sugar skulls are embellished with colorful frosting spelling out the names of the remembered sit alongside photos of the remembered, festooned with papel picado, cut paper banners.
This mural was named The Poughkeepsie Gateway Project and began with a public call for artists to envision what they could create on the underpass, which serves as one of the major gateways to Poughkeepsie. The collaborative effort included The Poughkeepsie Alliance, who sponsored the majority of costs for the project. Arts Mid-Hudson served as the organizing partner and O+ Festival brought in connections of mural artists and paint sponsor, Golden Artist Colors. Boogie is completing the mural with paint donated by Golden Artist Colors, using a combination of custom-mixed paints in buckets and spray paints. The City of Poughkeepsie and the New York Department of Transportation actively worked to ensure the project was complying with municipal and state regulations through the work of numerous staff from these offices. Local business Baxter Construction assisted with lifts and preparation of the site, which included the concrete spaces directly under Route 9 on each side.
