Summer in the Hudson River Valley is magical and one destination worth visiting during this time is Wilderstein Historic site in Rhinebeck. Landscape designer, Calvert Vaux created a winding set of walks and trails meandering through the 40 acres of Wilderstein, which also features a stunning Queen Anne mansion. Visitors to Wilderstein can experience the sweeping views along with the 5th Outdoor Sculpture Biennial Exhibition up now through the end of October. This is the second time that local artist and curator, Franc Palaia, has organized the Outdoor Sculpture Biennial increasing the exhibiting artists to 25.
The works have been thoughtfully placed throughout the property, creating a great visitor experience of surprise and discovery. On Wilderstein’s front lawn, you cannot miss “Plastic Bottle Man,” Willie Cole’s larger-than-life sculpture created from 5000 plastic water bottles. The sculpture lounges against one of the grand trees, perhaps unaware that his essence is a major source of world pollution. Turning towards the incredible views of the Hudson River, see William Scholl’s “Portal 409,” a sculpture created from Bluestone and mounted in a large tree.
Circling around towards the back of the mansion, see Alison McNulty’s “Hudson Valley Ghost Column 4.” The artist stated that “The Ghost Columns echo the Hudson Valley’s industrial history and architectural ruins, formalizing traces of the region’s geological, social, and material history.” Visitors will note the stacked bricks and Cormo sheep wool sourced from a historic Hudson Valley fiber farm. Julia Whitney Barnes is another artist fascinated with the historical context that bricks hold in the Hudson River Valley region. She has installed “Hudson River of Bricks,” at the edge of the front lawn of the mansion; an homage to the historical brick industry of the past. Visitors will note the glazed historic bricks included in the installation – the shape of the installation defines the places on the Hudson River that the brickyards formerly operated.
Inside one of the rustic gazebos on the property, see Hans van Meeuwen’s sculpture, “Melvin,” casually seated as if he is surveying the landscape. Nearby on the tennis courts, Namoi Teppich’s sculpture, “Snowflake Cactus” is centered in that space, the cactus spines jutting out from copper outlines provide shape and interest to the simplified sculpture. Step over to the edge of the mansion’s lawn and appreciate the sculpture, “Here I Am,” by Andres San Millan. The life-size sculpture of a horse has leaves of silver and copper that shimmer in the sun. 
Poughkeepsie artist Suprina exhibits, “Someone Else’s Shoes” featuring a pump created from found objects. From a distance, the sculpture is in a recognizable form of a pump, but on closer examination, the five-foot-high sculpture could be a bench, a place to take selfies or a place to imagine what it’s like to be in some else’s shoes. Visitors will discover other delightful sculptures placed on the property along the Calvert Vaux designed walking paths, including Joe Chirchirillo’s “Deciduous Rings,” as well as Dave Channon’s “Flâneur,” a sculpture created from rusted metal resurrected from the junkyard.
Details if you’d like to visit:
Wilderstein Historic Site is located at 330 Morton Road, Rhinebeck.
The exhibit will be on view daily 9:00 a.m.- 4:00 p.m. through October 31, 2019. Hiking trails and grounds are open to the public free of charge.
For further information: 845-876-4818 http://wilderstein.org/
Photos by Linda Marston-Reid
This article originally appeared in the Poughkeepsie Journal on July 26, 2019.
Altogether, eight artists are exhibiting work that could be wildly diverse without this premise. For instance, in Jinkook Hwang’s “Sushi Nam Yeo” series, rice is seen as the object of happiness and love, stemming from his cultural background. In “Couple Sushi,” the artist draws a man and woman resting on a bed of rice that has been magnified to signify its importance in his life.
